1 00:00:00,998 --> 00:00:04,491 [THEME MUSIC] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:02:52,654 --> 00:02:55,820 JACK (VOICEOVER): Man, I don't understand certain women. 5 00:02:55,820 --> 00:02:59,630 And I don't get my own self-destructive tendencies. 6 00:02:59,630 --> 00:03:01,760 I really went out of my way to try and help her 7 00:03:01,760 --> 00:03:04,820 and cut myself a little slack in the process. 8 00:03:04,820 --> 00:03:07,610 But I almost got killed over it. 9 00:03:07,610 --> 00:03:10,027 Talk about getting caught on the wrong side of a con game. 10 00:03:10,027 --> 00:03:10,827 Shit. 11 00:03:10,827 --> 00:03:12,070 [GUN FIRES] 12 00:03:12,070 --> 00:03:13,555 [BODY THUDS] 13 00:03:16,525 --> 00:03:20,245 Well, partner, that's the easiest $4 million 14 00:03:20,245 --> 00:03:21,045 we'll ever make. 15 00:03:21,045 --> 00:03:23,410 I think you got things a little mixed up, Ted. 16 00:03:23,410 --> 00:03:24,310 Oh, really? 17 00:03:24,310 --> 00:03:26,200 JACK: Put the gun down, Quincy. 18 00:03:26,200 --> 00:03:29,660 TED: I thought I told you to stay off this case, Nietzsche 19 00:03:29,660 --> 00:03:31,930 JACK: Well, you know me. 20 00:03:31,930 --> 00:03:34,560 I've always had a problem with authority. 21 00:03:34,560 --> 00:03:37,325 No, your problem is you don't know about the deal Roxy 22 00:03:37,325 --> 00:03:38,125 and I cut. 23 00:03:38,125 --> 00:03:39,015 Is that right? 24 00:03:39,015 --> 00:03:40,360 Yeah. 25 00:03:40,360 --> 00:03:43,000 We're gonna split the insurance money on Falcone. 26 00:03:43,000 --> 00:03:44,523 I get her and the money. 27 00:03:44,523 --> 00:03:46,690 JACK: The only thing it looks like you get from here 28 00:03:46,690 --> 00:03:47,905 is a long prison term. 29 00:03:47,905 --> 00:03:49,125 TED: Is that right? 30 00:03:49,125 --> 00:03:50,256 [GUN FIRES] 31 00:03:51,112 --> 00:03:54,132 JACK (VOICEOVER): But anyway, I'm getting ahead of myself. 32 00:03:54,132 --> 00:03:56,090 This whole business really began with the Laura 33 00:03:56,090 --> 00:03:59,065 Winters case, an insurance scam I was investigating. 34 00:03:59,065 --> 00:04:01,995 [JAZZ MUSIC] 35 00:04:01,995 --> 00:04:03,462 LAURA: Hi. 36 00:04:03,462 --> 00:04:06,885 [SUSPENSEFUL MUSIC] 37 00:04:11,290 --> 00:04:12,860 Just put 'em on the kitchen table. 38 00:04:21,110 --> 00:04:22,840 How much is that gonna be? 39 00:04:22,840 --> 00:04:24,360 MAN: $30, ma'am. 40 00:04:26,940 --> 00:04:28,190 Thank you. 41 00:04:28,190 --> 00:04:30,000 Keep the change. 42 00:04:30,000 --> 00:04:30,800 Bye-bye. 43 00:04:38,216 --> 00:04:39,713 [CAMERA SHUTTER CLICKS] 44 00:04:43,206 --> 00:04:44,703 [CAMERA SHUTTER CLICKS] 45 00:04:44,703 --> 00:04:48,196 [DRAMATIC MUSIC] 46 00:04:49,194 --> 00:04:50,691 [CAMERA SHUTTER CLICKS] 47 00:04:51,689 --> 00:04:53,685 [KNOCKING ON DOOR] 48 00:04:53,685 --> 00:04:57,178 [LIGHT SUSPENSEFUL MUSIC] 49 00:05:03,665 --> 00:05:05,162 [DOOR CLOSES] 50 00:05:09,154 --> 00:05:10,651 [CAMERA SHUTTER CLICKS] 51 00:05:12,647 --> 00:05:16,140 [DRAMATIC MUSIC] 52 00:05:18,136 --> 00:05:20,631 [CAMERA SHUTTER CLICKS] 53 00:05:30,112 --> 00:05:32,607 [CAMERA SHUTTER CLICKS] 54 00:05:59,054 --> 00:06:00,551 [CAMERA SHUTTER CLICKS] 55 00:06:02,048 --> 00:06:03,545 [CAMERA SHUTTER CLICKS] 56 00:06:09,533 --> 00:06:13,525 LAURA: [MOANING] 57 00:08:14,283 --> 00:08:16,279 [MOANING] 58 00:08:30,251 --> 00:08:32,090 All right. 59 00:08:32,090 --> 00:08:33,250 OK, I'll let him know. 60 00:08:33,250 --> 00:08:35,940 Bye-bye. 61 00:08:35,940 --> 00:08:36,970 Mr. Quincy. 62 00:08:36,970 --> 00:08:38,905 Mr. Quincy, that was the radio station. 63 00:08:38,905 --> 00:08:41,110 They're ready when you are. - Put it through to my office. 64 00:08:41,110 --> 00:08:42,402 Let me know when Jack comes in. 65 00:08:54,960 --> 00:08:56,350 Theodore Quincy here. 66 00:08:56,350 --> 00:08:57,410 Nice to be on the show. 67 00:08:57,410 --> 00:08:58,860 SHOW HOST (ON PHONE): Thank you, Mr. Quincy. 68 00:08:58,860 --> 00:09:01,485 As you know, Make a Difference profiles people in the community 69 00:09:01,485 --> 00:09:02,830 who are making a difference. 70 00:09:02,830 --> 00:09:05,160 For those of our listeners who may not know of your involvement 71 00:09:05,160 --> 00:09:06,600 with the correctional facilities, 72 00:09:06,600 --> 00:09:08,380 why don't you give us a brief overview? 73 00:09:08,380 --> 00:09:10,520 Well, it really came about by accident. 74 00:09:10,520 --> 00:09:12,330 Uh, one of my employees had a relative 75 00:09:12,330 --> 00:09:14,070 who needed a job in order to qualify 76 00:09:14,070 --> 00:09:15,720 for a prison parole program. 77 00:09:15,720 --> 00:09:18,240 Anyway, I-- I took a chance with him. 78 00:09:18,240 --> 00:09:21,488 And he's still with me today, over four years later. 79 00:09:21,488 --> 00:09:23,780 SHOW HOST (ON PHONE): I think our listeners should also 80 00:09:23,780 --> 00:09:25,697 know you're on the board of directors for Lend 81 00:09:25,697 --> 00:09:27,860 a Hand, an organization that coordinates 82 00:09:27,860 --> 00:09:29,350 early parole programs. 83 00:09:29,350 --> 00:09:31,100 TED: Well, I just think, as a businessman, 84 00:09:31,100 --> 00:09:34,640 it makes sense to tap into as many resources as possible. 85 00:09:34,640 --> 00:09:38,372 And I think that sometime in our lives, we've-- 86 00:09:38,372 --> 00:09:40,705 we've all been in a position of needing a second chance. 87 00:09:50,380 --> 00:09:53,500 [ROCK MUSIC] 88 00:09:54,300 --> 00:09:55,580 Excuse me. 89 00:10:14,510 --> 00:10:17,715 You look a lot better in person. 90 00:10:17,715 --> 00:10:19,420 You must be Jack Nietzsche. 91 00:10:19,420 --> 00:10:21,200 That's right. 92 00:10:21,200 --> 00:10:22,685 Your real name Laura Winters? 93 00:10:22,685 --> 00:10:24,920 Maybe. 94 00:10:24,920 --> 00:10:25,880 Why? 95 00:10:25,880 --> 00:10:27,800 Look, lady, don't fuck with me. 96 00:10:27,800 --> 00:10:29,420 I've had a tough day already. 97 00:10:29,420 --> 00:10:31,730 I mean, hiding in the bushes outside your window, 98 00:10:31,730 --> 00:10:34,400 watching you miraculously rise up from your wheelchair, 99 00:10:34,400 --> 00:10:38,004 fucking your brains out for two hours with some moron. 100 00:10:38,004 --> 00:10:40,370 Although, that's not bad for a woman who's 101 00:10:40,370 --> 00:10:41,970 paralyzed from the waist down. 102 00:10:41,970 --> 00:10:43,685 What else do you know about me? 103 00:10:43,685 --> 00:10:45,440 JACK: I know you won a fat settlement 104 00:10:45,440 --> 00:10:47,930 from Anaconda Casualty Company. 105 00:10:47,930 --> 00:10:50,000 I know you quit your job. 106 00:10:50,000 --> 00:10:52,180 And now I know you're a liar. 107 00:10:52,180 --> 00:10:54,890 Prove it. 108 00:10:54,890 --> 00:10:56,095 It's my word against yours. 109 00:11:18,890 --> 00:11:21,622 What do you want? 110 00:11:21,622 --> 00:11:23,370 Surprise me. 111 00:11:26,954 --> 00:11:29,410 LAURA: Maybe this will cloud your memory a little bit. 112 00:11:31,975 --> 00:11:34,065 JACK: Things are getting a little fuzzy already. 113 00:11:37,870 --> 00:11:39,945 Now, why don't we just hammer out the details? 114 00:11:39,945 --> 00:11:41,610 Jack. 115 00:11:41,610 --> 00:11:44,000 I just wanted you to know that I get off in an hour. 116 00:11:44,000 --> 00:11:48,290 [SIGHS] I'm gonna have to take a rain check on that. 117 00:11:48,290 --> 00:11:51,996 Don't wait too long, Jack. 118 00:11:51,996 --> 00:11:54,382 But I'll call you. 119 00:11:54,382 --> 00:11:56,930 JACK (VOICEOVER): So that was Laura Winters. 120 00:11:56,930 --> 00:11:58,970 Pretty hot-looking, huh? 121 00:11:58,970 --> 00:12:00,980 And she fit in real nice with the little game 122 00:12:00,980 --> 00:12:04,260 I was running on my job with the Anaconda Casualty Company. 123 00:12:04,260 --> 00:12:07,739 [LIGHT SUSPENSEFUL MUSIC] 124 00:12:24,350 --> 00:12:27,815 [CRICKETS CHIRPING] 125 00:13:06,920 --> 00:13:09,686 Are you awake? 126 00:13:09,686 --> 00:13:12,506 It's OK. 127 00:13:12,506 --> 00:13:14,010 TONY: Sorry I'm late. 128 00:13:14,010 --> 00:13:15,576 I got hung up downtown. 129 00:13:15,576 --> 00:13:17,170 Well, I was tired anyway. 130 00:13:20,774 --> 00:13:24,544 You smell great. 131 00:13:24,544 --> 00:13:27,260 Tony, I'm not a car. 132 00:13:27,260 --> 00:13:30,090 You can't just turn the key and start me up. 133 00:13:30,090 --> 00:13:34,270 Well, when did you become such a high-class bitch? 134 00:13:34,270 --> 00:13:36,222 Maybe some people change. 135 00:13:36,222 --> 00:13:40,440 TONY: Yeah, well, I liked you better the other way. 136 00:13:40,440 --> 00:13:43,100 Tony, I've got an idea. 137 00:13:43,100 --> 00:13:44,755 Why don't we try something new tonight? 138 00:13:44,755 --> 00:13:46,520 All right, I'm game. 139 00:13:46,520 --> 00:13:48,720 Like what? 140 00:13:48,720 --> 00:13:51,500 Conversation. 141 00:13:51,500 --> 00:13:54,650 [CHUCKLES] Conversation, Rox? 142 00:13:54,650 --> 00:13:57,640 Hell, I don't think that's your strong suit. 143 00:13:57,640 --> 00:13:59,586 How would you know? 144 00:13:59,586 --> 00:14:02,510 TONY: Don't you forget where I found you. 145 00:14:02,510 --> 00:14:04,600 Why don't you get out of these things, 146 00:14:04,600 --> 00:14:05,850 get a little more comfortable? 147 00:14:05,850 --> 00:14:07,185 What do you think? 148 00:14:07,185 --> 00:14:08,135 [GRUNTS] 149 00:14:08,135 --> 00:14:10,035 [TELEPHONE RINGING] 150 00:14:10,035 --> 00:14:11,290 [TENSE MUSIC] 151 00:14:11,290 --> 00:14:13,040 JACK (ON ANSWERING MACHINE): This is Jack. 152 00:14:13,040 --> 00:14:14,480 Do it at the beep. [PHONE BEEPS] 153 00:14:14,480 --> 00:14:15,380 SUE (ON PHONE): Jack? 154 00:14:15,380 --> 00:14:16,580 Are you there? 155 00:14:16,580 --> 00:14:18,260 This is Sue Ellen. 156 00:14:18,260 --> 00:14:19,380 Please pick up. 157 00:14:19,380 --> 00:14:20,910 I know you're there. 158 00:14:20,910 --> 00:14:21,947 Damn. 159 00:14:21,947 --> 00:14:24,530 Well, if you get this message, you better get here right away. 160 00:14:24,530 --> 00:14:26,600 I don't know how much longer I can cover for you. 161 00:14:26,600 --> 00:14:27,400 Hurry up. 162 00:14:27,400 --> 00:14:28,444 OK. 163 00:14:28,444 --> 00:14:30,950 [GRUNTS] OK, let's go. 164 00:14:30,950 --> 00:14:33,975 Up and at 'em. 165 00:14:33,975 --> 00:14:35,610 [GROANS] 166 00:14:37,050 --> 00:14:38,470 JACK: Hey. 167 00:14:38,470 --> 00:14:39,470 How are you with coffee? 168 00:14:43,840 --> 00:14:44,720 Hello, Sue Ellen. 169 00:14:44,720 --> 00:14:46,280 Jack, where were you? 170 00:14:46,280 --> 00:14:48,245 He's waiting in your office. 171 00:14:48,245 --> 00:14:50,260 Rough night. 172 00:14:50,260 --> 00:14:52,840 You know you're the only one that worries about me? 173 00:14:52,840 --> 00:14:54,495 How about a cup of coffee? 174 00:14:54,495 --> 00:14:57,640 OK. 175 00:14:57,640 --> 00:14:58,490 Hey. 176 00:15:01,745 --> 00:15:05,145 Uh-oh, it looks like somebody didn't get laid last night. 177 00:15:05,145 --> 00:15:08,540 TED: Listen, smart ass, I don't need this. 178 00:15:08,540 --> 00:15:11,770 Now, either you get here on time, like everyone else, 179 00:15:11,770 --> 00:15:13,240 or I'll just call the parole office 180 00:15:13,240 --> 00:15:15,100 and tell 'em things aren't working out. 181 00:15:15,100 --> 00:15:15,900 Understand? 182 00:15:15,900 --> 00:15:16,960 Quince, I was working. 183 00:15:16,960 --> 00:15:17,775 TED: On what? 184 00:15:17,775 --> 00:15:19,980 The Winters case. 185 00:15:19,980 --> 00:15:21,700 Anything? 186 00:15:21,700 --> 00:15:25,760 No, but I'm on top of her. 187 00:15:25,760 --> 00:15:26,560 Thanks. 188 00:15:29,390 --> 00:15:31,412 She loves me. 189 00:15:31,412 --> 00:15:35,240 TED: I want you to put Winters on the back burner. 190 00:15:35,240 --> 00:15:36,620 I want you on this now-- 191 00:15:36,620 --> 00:15:38,500 top priority. 192 00:15:38,500 --> 00:15:40,520 Aw, Quince, I'm swamped. 193 00:15:40,520 --> 00:15:41,940 I got a dozen things going. 194 00:15:41,940 --> 00:15:43,550 I don't care what you got going. 195 00:15:43,550 --> 00:15:44,700 Just do it. 196 00:15:48,948 --> 00:15:50,770 JACK: OK. 197 00:15:50,770 --> 00:15:51,890 I'm in love. 198 00:15:51,890 --> 00:15:53,750 That's Roxy. 199 00:15:53,750 --> 00:15:59,470 Back then, she was Roxanne Flowers, exotic dancer, 200 00:15:59,470 --> 00:16:01,300 all-American bitch. 201 00:16:01,300 --> 00:16:03,770 She beat us big time on a whiplash scam. 202 00:16:03,770 --> 00:16:06,430 Said it ruined her career. 203 00:16:06,430 --> 00:16:09,580 Then she dropped out of sight, just 204 00:16:09,580 --> 00:16:13,510 when I was about to nail her. 205 00:16:13,510 --> 00:16:14,690 I want you to find her. 206 00:16:14,690 --> 00:16:15,840 Find her? 207 00:16:15,840 --> 00:16:17,015 That's it? 208 00:16:17,015 --> 00:16:18,640 Quince, I'm not a private investigator. 209 00:16:18,640 --> 00:16:20,473 Don't we have somebody that can handle this? 210 00:16:20,473 --> 00:16:22,350 I'm telling you to do it, aren't I? 211 00:16:25,080 --> 00:16:26,820 Now, word is she's around. 212 00:16:26,820 --> 00:16:28,090 So find her. 213 00:16:28,090 --> 00:16:31,820 I'll get right on it. 214 00:16:31,820 --> 00:16:32,930 And wear this. 215 00:16:41,986 --> 00:16:45,400 JACK (VOICEOVER): The truth was I was interested. 216 00:16:45,400 --> 00:16:47,920 What was it about some stripper that would make Quincy have 217 00:16:47,920 --> 00:16:50,220 me drop everything to find her? 218 00:16:50,220 --> 00:16:52,290 Knowing him, she must have been a real freak. 219 00:17:00,060 --> 00:17:02,550 How you doing, Jack? 220 00:17:02,550 --> 00:17:04,794 Sue Ellen, you got that look going again. 221 00:17:04,794 --> 00:17:06,349 [CHUCKLES] What look? 222 00:17:06,349 --> 00:17:08,754 That I wanna take you home and have your baby look. 223 00:17:08,754 --> 00:17:12,050 [CHUCKLES] I thought men like you 224 00:17:12,050 --> 00:17:15,079 didn't turn down opportunities, especially 225 00:17:15,079 --> 00:17:16,974 when it's a sure thing. 226 00:17:16,974 --> 00:17:20,105 Sue Ellen, I'm not the guy you're looking for. 227 00:17:20,105 --> 00:17:22,240 The kind of guy you want is from Kansas, 228 00:17:22,240 --> 00:17:24,240 carries home pictures of his kids in his wallet. 229 00:17:24,240 --> 00:17:25,220 That's just not me. 230 00:17:25,220 --> 00:17:26,720 SUE: Why don't you just stop feeling 231 00:17:26,720 --> 00:17:30,136 sorry for yourself, Jack? 232 00:17:30,136 --> 00:17:32,550 You're a terrific kid. 233 00:17:32,550 --> 00:17:35,360 Jack, would you stop playing with me? 234 00:17:35,360 --> 00:17:36,160 OK. 235 00:17:40,920 --> 00:17:43,080 A pie? 236 00:17:43,080 --> 00:17:46,110 Bake me a pie. 237 00:17:46,110 --> 00:17:49,882 I'm a sucker for a good apple pie. 238 00:17:49,882 --> 00:17:53,368 [JAZZ MUSIC] 239 00:19:18,028 --> 00:19:19,820 JACK (VOICEOVER): I checked out every strip 240 00:19:19,820 --> 00:19:23,840 joint, triple X arcade, and sleazy corner in Los Angeles-- 241 00:19:23,840 --> 00:19:26,940 no Roxanne Flowers, not even a hint. 242 00:19:26,940 --> 00:19:29,640 She's not the sort of lady a guy easily forgets. 243 00:19:29,640 --> 00:19:32,510 So it was my guess that she was long gone. 244 00:19:32,510 --> 00:19:35,480 If I was gonna find her, I needed to think up a new angle 245 00:19:35,480 --> 00:19:36,610 and pray for a lot of luck. 246 00:19:52,399 --> 00:19:54,876 Hello? 247 00:19:54,876 --> 00:19:56,560 You sound like you're out of breath. 248 00:19:56,560 --> 00:19:58,270 What are you doing, cheating on me? 249 00:19:58,270 --> 00:20:00,390 Jack, no. 250 00:20:00,390 --> 00:20:02,290 I just ran from the back room. 251 00:20:02,290 --> 00:20:04,090 You know I'm saving it for you. 252 00:20:04,090 --> 00:20:07,196 Yeah, the check's in the mail. 253 00:20:07,196 --> 00:20:09,862 Jack, be nice. 254 00:20:09,862 --> 00:20:12,800 Listen, I've been on my feet all day. 255 00:20:12,800 --> 00:20:16,980 I need somebody to rub some life back in these tired muscles. 256 00:20:16,980 --> 00:20:17,870 Yeah? 257 00:20:17,870 --> 00:20:19,020 What's in it for me? 258 00:20:19,020 --> 00:20:21,422 Dinner and sex. 259 00:20:21,422 --> 00:20:22,650 In that order? 260 00:20:22,650 --> 00:20:24,974 JACK (ON PHONE): That's up to you. 261 00:20:24,974 --> 00:20:28,453 [SLOW ROMANTIC MUSIC] 262 00:22:32,440 --> 00:22:35,210 So how does it feel to fuck an ex-con? 263 00:22:35,210 --> 00:22:39,090 If you were really an ex-con, you would have tied me up. 264 00:22:39,090 --> 00:22:40,825 You'd like that, wouldn't you? 265 00:22:40,825 --> 00:22:41,625 Mm-hmm. 266 00:22:44,475 --> 00:22:45,530 You're a freak. 267 00:22:45,530 --> 00:22:46,330 You know that? 268 00:22:46,330 --> 00:22:47,130 Yeah. 269 00:23:13,300 --> 00:23:14,100 Remember me? 270 00:23:14,100 --> 00:23:14,900 Oh. 271 00:23:18,420 --> 00:23:21,300 Thanks. 272 00:23:21,300 --> 00:23:24,510 Roxanne Flowers. 273 00:23:24,510 --> 00:23:26,220 She's gorgeous. 274 00:23:26,220 --> 00:23:27,610 Starting a talent agency? 275 00:23:27,610 --> 00:23:28,920 JACK: Just work. 276 00:23:28,920 --> 00:23:32,320 Oh, with work like her, who needs play? 277 00:23:32,320 --> 00:23:33,420 Yeah. 278 00:23:33,420 --> 00:23:35,050 I'm doing this insurance thing. 279 00:23:35,050 --> 00:23:37,032 I need to find her. 280 00:23:37,032 --> 00:23:39,220 A woman like that shouldn't be too hard to find. 281 00:23:39,220 --> 00:23:41,335 JACK: Oh, you'd be surprised. 282 00:23:41,335 --> 00:23:42,210 I've asked everybody. 283 00:23:42,210 --> 00:23:43,710 And the best I can come up with is a guy who said 284 00:23:43,710 --> 00:23:45,365 he knew her from Woodstock. 285 00:23:45,365 --> 00:23:48,452 Well, that narrows it down to about 600,000. 286 00:23:48,452 --> 00:23:50,690 Cute. 287 00:23:50,690 --> 00:23:52,390 Look, give me her picture. 288 00:23:52,390 --> 00:23:53,847 I'll pass it around the club. 289 00:23:53,847 --> 00:23:55,180 A lot of women go through there. 290 00:23:55,180 --> 00:23:56,550 No shit? 291 00:23:56,550 --> 00:23:57,880 All right. 292 00:23:57,880 --> 00:23:58,680 Thanks. 293 00:23:58,680 --> 00:24:01,201 You're welcome. 294 00:24:01,201 --> 00:24:04,610 [JAZZ MUSIC] 295 00:24:11,428 --> 00:24:14,470 JACK (VOICEOVER): Someone somewhere had to know something 296 00:24:14,470 --> 00:24:16,870 about this Roxanne Flowers. 297 00:24:16,870 --> 00:24:19,750 How could a woman who had some notoriety as a stripper just 298 00:24:19,750 --> 00:24:20,993 disappear? 299 00:24:20,993 --> 00:24:22,660 The streets weren't getting me anywhere. 300 00:24:22,660 --> 00:24:24,550 But I didn't have anywhere else to go. 301 00:24:24,550 --> 00:24:25,620 So I kept looking. 302 00:24:28,862 --> 00:24:32,306 [CRICKETS CHIRPING] 303 00:24:50,628 --> 00:24:52,170 KAY (ON ANSWERING MACHINE): Hi, Jack. 304 00:24:52,170 --> 00:24:53,150 It's Kay. 305 00:24:53,150 --> 00:24:56,300 Listen, I might have something for you on that Roxanne Flowers. 306 00:24:56,300 --> 00:24:59,168 One of the girls seems to remember a friend of a friend 307 00:24:59,168 --> 00:25:00,710 who worked in a high-class whorehouse 308 00:25:00,710 --> 00:25:03,530 in the hills owned by Tony Falcone. 309 00:25:03,530 --> 00:25:06,800 She thinks this Roxanne and Falcone got married. 310 00:25:06,800 --> 00:25:08,760 Anyway, she's gonna try to dig up the address. 311 00:25:08,760 --> 00:25:10,820 So call me later. 312 00:25:10,820 --> 00:25:11,620 Bye. 313 00:25:11,620 --> 00:25:13,328 JACK (VOICEOVER): The kind of whorehouses 314 00:25:13,328 --> 00:25:15,170 I knew about were sleazy, phony massage 315 00:25:15,170 --> 00:25:17,210 parlors with burned-out sluts, who 316 00:25:17,210 --> 00:25:20,360 always pitched for more money and still threw you a dead fuck. 317 00:25:20,360 --> 00:25:23,830 But this place was different, nice. 318 00:25:23,830 --> 00:25:26,020 I could get comfortable here fast. 319 00:25:26,020 --> 00:25:28,462 Reminds me of my place. 320 00:25:28,462 --> 00:25:29,840 May I help you? 321 00:25:29,840 --> 00:25:30,910 JACK: Uh, yeah. 322 00:25:30,910 --> 00:25:33,165 I was told to ask for Danielle. 323 00:25:33,165 --> 00:25:35,372 I'm Danielle. 324 00:25:35,372 --> 00:25:37,310 I'm looking for a woman. 325 00:25:37,310 --> 00:25:39,265 What kind of woman did you have in mind? 326 00:25:39,265 --> 00:25:41,130 JACK: No, that's not what I mean. 327 00:25:41,130 --> 00:25:43,292 I'm searching for someone. 328 00:25:43,292 --> 00:25:44,625 I was told she worked here once. 329 00:25:44,625 --> 00:25:46,880 Are you a police officer? 330 00:25:46,880 --> 00:25:49,736 Do I look like a cop? 331 00:25:49,736 --> 00:25:53,180 Cops come in all shapes and sizes. 332 00:25:53,180 --> 00:25:54,845 I wouldn't know. 333 00:25:54,845 --> 00:25:55,720 My name is Nietzsche. 334 00:25:55,720 --> 00:25:56,520 Jack Nietzsche. 335 00:25:56,520 --> 00:25:58,770 I work for Anaconda Casualty Company. 336 00:25:58,770 --> 00:26:00,890 I'm looking for a woman, Roxanne Flowers. 337 00:26:03,780 --> 00:26:05,450 Sorry. 338 00:26:05,450 --> 00:26:07,866 Can't help you. 339 00:26:07,866 --> 00:26:09,880 Beautiful woman. 340 00:26:09,880 --> 00:26:12,520 Not the kind of face you'd forget, I suppose. 341 00:26:12,520 --> 00:26:15,500 Maybe you know her by her married name, Roxanne Falcone. 342 00:26:15,500 --> 00:26:16,390 No. 343 00:26:16,390 --> 00:26:18,730 JACK: That's strange, 'cause I heard that Mr. Falcone 344 00:26:18,730 --> 00:26:20,376 owns this establishment. 345 00:26:20,376 --> 00:26:24,566 Well, maybe you should talk to Mr. Falcone. 346 00:26:24,566 --> 00:26:25,420 All right. 347 00:26:25,420 --> 00:26:27,120 Thanks anyway. 348 00:26:27,120 --> 00:26:29,610 It's been real enlightening. 349 00:26:29,610 --> 00:26:34,990 Mr. Nietzsche, any relation to the philosopher? 350 00:26:34,990 --> 00:26:38,214 Yeah, I'm his twin brother. 351 00:26:38,214 --> 00:26:42,590 Oh, Mr. Nietzsche. 352 00:26:42,590 --> 00:26:45,562 Do you mind telling me who referred you to me? 353 00:26:45,562 --> 00:26:49,434 That wouldn't be very discreet of me now, would it? 354 00:26:49,434 --> 00:26:52,920 [GENTLE MUSIC] 355 00:27:13,338 --> 00:27:16,958 LES: Yeah, I can get you in to see Falcone. 356 00:27:16,958 --> 00:27:19,250 But I'm sure he's not gonna appreciate a friend of mine 357 00:27:19,250 --> 00:27:21,350 questioning him about his wife, who may or may 358 00:27:21,350 --> 00:27:23,060 not be the lady who ran an insurance 359 00:27:23,060 --> 00:27:25,660 scam, what, five years ago? 360 00:27:25,660 --> 00:27:28,400 Yeah. 361 00:27:28,400 --> 00:27:29,575 I guess you're right. 362 00:27:29,575 --> 00:27:31,450 I don't know what the hell I'm talking about. 363 00:27:34,670 --> 00:27:36,680 Guess I'm gonna have to just work another angle. 364 00:27:36,680 --> 00:27:37,480 That's all. 365 00:27:40,164 --> 00:27:42,080 Good luck. 366 00:27:42,080 --> 00:27:44,660 But remember, with someone like Falcone, 367 00:27:44,660 --> 00:27:46,405 you don't always get a second chance. 368 00:28:04,997 --> 00:28:07,094 Shit. 369 00:28:07,094 --> 00:28:09,200 [TELEPHONE RINGING] 370 00:28:09,200 --> 00:28:10,000 Yeah. 371 00:28:10,000 --> 00:28:12,750 SUE (ON SPEAKER): Jack, there's a Ms. Ward here to see you. 372 00:28:12,750 --> 00:28:13,676 Who? 373 00:28:13,676 --> 00:28:15,320 SUE (ON SPEAKER): She's not scheduled. 374 00:28:15,320 --> 00:28:16,640 She says she knows you. 375 00:28:22,074 --> 00:28:23,810 OK, send her in. 376 00:28:28,740 --> 00:28:30,510 So we meet again, Ms. Ward. 377 00:28:30,510 --> 00:28:31,310 Sit down. 378 00:28:33,870 --> 00:28:36,030 You know, I was reading up on our friend 379 00:28:36,030 --> 00:28:39,030 Nietzsche, the philosopher, you know, my twin brother. 380 00:28:39,030 --> 00:28:42,210 He says that men should be trained for war and women 381 00:28:42,210 --> 00:28:44,812 for the recreation of the warrior. 382 00:28:44,812 --> 00:28:47,150 Fascinating. 383 00:28:47,150 --> 00:28:51,015 Sounds like your line of work, recreation. 384 00:28:51,015 --> 00:28:53,790 I'll get right to the point, Mr. Nietzsche. 385 00:28:53,790 --> 00:28:57,172 I spoke with Roxanne Flowers about you today. 386 00:28:57,172 --> 00:28:59,055 I thought you said you didn't know her. 387 00:28:59,055 --> 00:29:00,722 She's an acquaintance of mine. 388 00:29:00,722 --> 00:29:02,180 JACK: Why didn't you say so before? 389 00:29:02,180 --> 00:29:05,730 Because you showed up at my home unannounced. 390 00:29:05,730 --> 00:29:06,900 I didn't know who you were. 391 00:29:06,900 --> 00:29:08,317 And I'm not in the habit of giving 392 00:29:08,317 --> 00:29:09,780 out information to strangers. 393 00:29:09,780 --> 00:29:13,306 Especially in your business. 394 00:29:13,306 --> 00:29:16,590 I knew you'd understand. 395 00:29:16,590 --> 00:29:18,275 Ms. Flowers is willing to meet you. 396 00:29:20,780 --> 00:29:23,560 She wants to clear this matter up. 397 00:29:23,560 --> 00:29:26,340 Well, actually, it's my boss, Mr. Quincy, that 398 00:29:26,340 --> 00:29:27,670 would like to speak to her. 399 00:29:27,670 --> 00:29:29,100 Sorry. 400 00:29:29,100 --> 00:29:31,090 She's agreed only to meet you. 401 00:29:31,090 --> 00:29:33,250 That's the way it's gonna have to be. 402 00:29:33,250 --> 00:29:34,090 It's fine. 403 00:29:34,090 --> 00:29:34,890 Fine. 404 00:29:34,890 --> 00:29:35,690 When? 405 00:29:35,690 --> 00:29:36,675 Where? 406 00:29:36,675 --> 00:29:38,500 Any place but here. 407 00:29:38,500 --> 00:29:41,377 She said she'd explain why when she meets you. 408 00:29:41,377 --> 00:29:44,716 [GENTLE MUSIC] 409 00:29:47,101 --> 00:29:49,170 Fair enough. 410 00:29:49,170 --> 00:29:52,740 By the way, should I call her Ms. Flowers or Mrs. Falcone? 411 00:29:52,740 --> 00:29:54,050 Her friends all call her Roxy. 412 00:30:56,242 --> 00:30:59,728 [ROCK MUSIC] 413 00:31:04,210 --> 00:31:06,060 JACK (VOICEOVER): I began to understand what 414 00:31:06,060 --> 00:31:08,810 Quincy got all worked up about. 415 00:31:08,810 --> 00:31:11,420 Roxanne Flowers was pretty hot. 416 00:31:11,420 --> 00:31:14,450 I got a tape of her act in the mail, but no name and no return 417 00:31:14,450 --> 00:31:15,830 address. 418 00:31:15,830 --> 00:31:17,420 Obviously, someone was baiting me. 419 00:31:17,420 --> 00:31:18,350 But who? 420 00:31:18,350 --> 00:31:19,910 And why? 421 00:31:19,910 --> 00:31:21,920 It didn't matter anyway. 422 00:31:21,920 --> 00:31:23,400 I was finally gonna meet her. 423 00:31:26,865 --> 00:31:30,330 [LIGHT SUSPENSEFUL MUSIC] 424 00:31:38,745 --> 00:31:42,210 [CAMERA SHUTTER CLICKING] 425 00:31:52,110 --> 00:31:55,575 [JAZZ MUSIC] 426 00:32:07,455 --> 00:32:12,242 How come something tells me that's here to see you? 427 00:32:12,242 --> 00:32:16,760 That, my friend, is Roxanne Flowers, a.k.a. 428 00:32:16,760 --> 00:32:18,296 Roxy Falcone. 429 00:32:18,296 --> 00:32:19,920 Oh, shit. 430 00:32:19,920 --> 00:32:21,120 Don't worry. 431 00:32:21,120 --> 00:32:23,342 It's strictly business. 432 00:32:23,342 --> 00:32:24,917 Look, I don't wanna hear any more. 433 00:32:24,917 --> 00:32:27,000 Just take her somewhere where no one will see her. 434 00:32:27,000 --> 00:32:29,810 The last thing I need is Tony Falcone thinking his wife 435 00:32:29,810 --> 00:32:31,290 comes here to get laid. 436 00:32:31,290 --> 00:32:34,748 [JAZZ MUSIC CONTINUES] 437 00:33:07,352 --> 00:33:12,436 Scotch, soda, lime. 438 00:33:12,436 --> 00:33:15,300 I like a man with scotch on his breath. 439 00:33:15,300 --> 00:33:22,355 So you're Roxy Falcone, better known as Roxanne Flowers? 440 00:33:22,355 --> 00:33:25,740 You've done your homework, Mr. Nietzsche. 441 00:33:25,740 --> 00:33:27,410 JACK: I caught your act. 442 00:33:27,410 --> 00:33:28,900 It's out on video. 443 00:33:28,900 --> 00:33:32,390 [SIGHS] I didn't know there were any of those still around. 444 00:33:32,390 --> 00:33:33,855 I watched it twice. 445 00:33:36,800 --> 00:33:39,450 Shall we discuss business, Mr. Nietzsche? 446 00:33:39,450 --> 00:33:41,416 Jack. 447 00:33:41,416 --> 00:33:43,220 Jack. 448 00:33:43,220 --> 00:33:46,580 I suppose Ted Quincy put you up to this. 449 00:33:46,580 --> 00:33:48,710 The only reason I'm here is because I want him out 450 00:33:48,710 --> 00:33:51,342 of my life once and for all. 451 00:33:51,342 --> 00:33:54,655 Shucks, I thought you were here to see me. 452 00:33:54,655 --> 00:33:57,555 Another time, another place. 453 00:33:57,555 --> 00:34:00,300 JACK: I'm gonna hold you to that. 454 00:34:00,300 --> 00:34:03,060 Quincy thinks I'm here to settle a fraudulent claim you made 455 00:34:03,060 --> 00:34:04,505 against Anaconda years ago. 456 00:34:04,505 --> 00:34:07,140 [SCOFFS] Is that what he told you? 457 00:34:07,140 --> 00:34:08,444 Figures. 458 00:34:08,444 --> 00:34:09,760 Excuse me? 459 00:34:09,760 --> 00:34:12,929 My claim was totally legitimate. 460 00:34:12,929 --> 00:34:13,820 I went to trial. 461 00:34:13,820 --> 00:34:14,620 I won. 462 00:34:14,620 --> 00:34:16,199 I collected. 463 00:34:16,199 --> 00:34:17,969 Those injuries ruined my career. 464 00:34:17,969 --> 00:34:21,680 Mr. Quincy thinks there's evidence to the contrary. 465 00:34:21,680 --> 00:34:23,139 That's a lie. 466 00:34:23,139 --> 00:34:24,725 Why would he make that up? 467 00:34:24,725 --> 00:34:26,850 ROXANNE: Because he had a thing for me. 468 00:34:26,850 --> 00:34:29,400 He still has a thing for me. 469 00:34:29,400 --> 00:34:32,770 The only thing Ted Quincy caught me in was a weak moment. 470 00:34:32,770 --> 00:34:36,312 And we had an affair. 471 00:34:36,312 --> 00:34:38,610 Really? 472 00:34:38,610 --> 00:34:40,565 I never thought I'd envy Quincy anything. 473 00:34:43,590 --> 00:34:44,409 Go on. 474 00:34:44,409 --> 00:34:49,730 ROXANNE: But like most men, he just couldn't leave it at that. 475 00:34:49,730 --> 00:34:57,394 He wanted me all to himself, his own private little recreation. 476 00:34:57,394 --> 00:35:00,980 So you and Ted had an affair? 477 00:35:00,980 --> 00:35:03,855 How good could that have been? 478 00:35:03,855 --> 00:35:07,670 You're not too smart, are you, Jack? 479 00:35:07,670 --> 00:35:10,700 And you obviously don't know Ted Quincy. 480 00:35:10,700 --> 00:35:12,450 You want an education? 481 00:35:12,450 --> 00:35:15,740 Check out the safe in his office sometime. 482 00:35:15,740 --> 00:35:21,411 The point is I wanna put an end to it, all of it. 483 00:35:21,411 --> 00:35:23,110 And what can he do? 484 00:35:23,110 --> 00:35:25,240 I mean, really. 485 00:35:25,240 --> 00:35:26,060 Case is closed. 486 00:35:26,060 --> 00:35:27,240 Money's gone. 487 00:35:27,240 --> 00:35:28,040 You're married. 488 00:35:28,040 --> 00:35:28,840 Life goes on. 489 00:35:28,840 --> 00:35:30,810 I mean, can he smear your name? 490 00:35:30,810 --> 00:35:32,620 No, everybody knows you're a stripper. 491 00:35:32,620 --> 00:35:33,450 What's he gonna do? 492 00:35:33,450 --> 00:35:35,170 Tell your husband you were a whore? 493 00:35:35,170 --> 00:35:37,406 I mean, that's where you met him. 494 00:35:37,406 --> 00:35:38,900 [SLAP SMACKS] 495 00:35:45,872 --> 00:35:49,358 [JAZZ MUSIC CONTINUES] 496 00:36:38,162 --> 00:36:41,648 [CRICKETS CHIRPING] 497 00:37:12,524 --> 00:37:16,350 Who the fuck do you think you're dealing with here? 498 00:37:16,350 --> 00:37:19,650 I'm gonna ask you once nicely. 499 00:37:19,650 --> 00:37:20,950 Where were you tonight? 500 00:37:20,950 --> 00:37:21,750 I told you. 501 00:37:21,750 --> 00:37:22,950 I was with Danielle. 502 00:37:22,950 --> 00:37:24,880 Why was your car not here? 503 00:37:24,880 --> 00:37:26,260 One of the girls got stuck. 504 00:37:26,260 --> 00:37:27,245 I had to go get her. 505 00:37:30,232 --> 00:37:32,580 Shit. 506 00:37:32,580 --> 00:37:36,390 Remind me to have Danielle fire that bitch tomorrow. 507 00:37:36,390 --> 00:37:37,380 It's all right. 508 00:37:37,380 --> 00:37:38,330 It's over. 509 00:37:38,330 --> 00:37:39,130 All right? 510 00:37:39,130 --> 00:37:40,980 I'm OK. 511 00:37:40,980 --> 00:37:43,800 You just have to understand that when you go out, 512 00:37:43,800 --> 00:37:47,770 you tell me where you're going! 513 00:37:47,770 --> 00:37:48,860 'Cause you know why? 514 00:37:48,860 --> 00:37:52,222 'Cause you're mine, sweetie. 515 00:37:52,222 --> 00:37:54,000 And you're always gonna be mine. 516 00:37:54,000 --> 00:37:56,112 You understand? 517 00:37:56,112 --> 00:37:57,212 [SNIFFLES] 518 00:37:57,212 --> 00:37:58,670 TONY: Now, you wanna make me happy? 519 00:37:58,670 --> 00:38:00,770 [CRYING] You know how I do. 520 00:38:03,415 --> 00:38:05,160 I knew you'd say that. 521 00:38:15,600 --> 00:38:18,072 I want you to dance for me. 522 00:38:18,072 --> 00:38:19,410 Tony, please. 523 00:38:19,410 --> 00:38:21,130 I want you to fucking dance for me! 524 00:38:21,130 --> 00:38:24,455 [CRYING] 525 00:38:24,455 --> 00:38:26,355 [ROCK MUSIC] 526 00:38:26,355 --> 00:38:29,274 Dance! 527 00:38:29,274 --> 00:38:31,754 [CRYING] 528 00:38:31,754 --> 00:38:33,300 Come on, Roxy. 529 00:38:33,300 --> 00:38:34,475 You can do better than that. 530 00:38:45,330 --> 00:38:46,950 Come on, dance. 531 00:38:46,950 --> 00:38:48,980 Dance like you're gonna make love to the music. 532 00:38:53,790 --> 00:38:55,360 That's not good enough. 533 00:38:55,360 --> 00:38:58,041 Come on, I wanna see some skin. 534 00:38:58,041 --> 00:39:01,478 [ROCK MUSIC CONTINUES] 535 00:39:14,270 --> 00:39:15,330 Take it off, Roxy. 536 00:39:25,725 --> 00:39:28,200 Yeah. 537 00:39:28,200 --> 00:39:30,180 Yeah, that looks good. 538 00:39:42,110 --> 00:39:42,910 Come on. 539 00:39:42,910 --> 00:39:43,710 Yeah. 540 00:39:43,710 --> 00:39:44,520 Oh, yeah. 541 00:39:44,520 --> 00:39:45,320 That looks good. 542 00:39:48,710 --> 00:39:49,600 We have showtime. 543 00:40:07,644 --> 00:40:09,620 Yeah. 544 00:40:09,620 --> 00:40:11,920 You know I want you to do? 545 00:40:11,920 --> 00:40:13,450 I want you to crawl to me. 546 00:40:13,450 --> 00:40:15,300 [CRYING] Tony, please. 547 00:40:15,300 --> 00:40:17,550 TONY: I want you to fucking crawl to me! 548 00:40:17,550 --> 00:40:21,290 Get on your fucking knees and crawl to me! 549 00:40:21,290 --> 00:40:25,130 [CRYING] 550 00:40:26,570 --> 00:40:27,955 Crawl to me now! 551 00:40:31,074 --> 00:40:34,357 I don't know. 552 00:40:34,357 --> 00:40:37,410 Crawl to me, you fucking trash! 553 00:40:37,410 --> 00:40:38,210 Yeah. 554 00:40:42,400 --> 00:40:43,660 That's a good girl. 555 00:40:43,660 --> 00:40:45,345 I knew you wanted to. 556 00:40:45,345 --> 00:40:47,245 [CRYING] 557 00:40:51,022 --> 00:40:51,950 Come to me. 558 00:40:58,162 --> 00:40:59,650 That's a good girl. 559 00:41:04,114 --> 00:41:07,586 [CRYING] 560 00:41:08,578 --> 00:41:11,972 I knew you would do that. 561 00:41:11,972 --> 00:41:15,924 [CRYING] 562 00:41:25,804 --> 00:41:29,262 [ROMANTIC JAZZ MUSIC] 563 00:41:39,636 --> 00:41:43,070 JACK (VOICEOVER): I couldn't figure out Roxy's game yet. 564 00:41:43,070 --> 00:41:46,080 Maybe she liked to be treated the way Falcone treated her. 565 00:41:46,080 --> 00:41:49,160 Maybe she deserved to be treated like that. 566 00:41:49,160 --> 00:41:53,050 Some women suck you in that way, and then fuck you in the end. 567 00:41:55,770 --> 00:41:59,550 One thing I did know, I wanted more than Roxy. 568 00:41:59,550 --> 00:42:01,920 I wanted everything Falcone had-- 569 00:42:01,920 --> 00:42:05,520 the house, his woman, his business, the power-- 570 00:42:05,520 --> 00:42:07,320 all of it. 571 00:42:07,320 --> 00:42:11,446 If an asshole like Falcone could have it, why not me? 572 00:42:11,446 --> 00:42:13,960 OK, good job. 573 00:42:13,960 --> 00:42:15,920 Now I'm taking you off the case. 574 00:42:15,920 --> 00:42:17,325 I'll handle it from here. 575 00:42:17,325 --> 00:42:19,870 What are you talking about? 576 00:42:19,870 --> 00:42:21,730 Just what I said. 577 00:42:21,730 --> 00:42:22,680 You're out. 578 00:42:22,680 --> 00:42:23,895 I'm in. 579 00:42:23,895 --> 00:42:26,460 I'm putting you back on the Winters case. 580 00:42:26,460 --> 00:42:28,390 Hey, wait a minute, Quince. 581 00:42:28,390 --> 00:42:30,790 Don't jerk me around like I'm some fucking punk. 582 00:42:30,790 --> 00:42:34,580 You don't get it, do you, Jack? 583 00:42:34,580 --> 00:42:36,110 You are a punk-- 584 00:42:36,110 --> 00:42:37,750 my punk. 585 00:42:37,750 --> 00:42:41,962 And punks do what they're told, or they get sent back to prison. 586 00:42:41,962 --> 00:42:43,797 You're bullshit, Quince. 587 00:42:43,797 --> 00:42:45,380 This has nothing to do with insurance. 588 00:42:45,380 --> 00:42:47,262 And you know it. 589 00:42:47,262 --> 00:42:48,600 Is that right? 590 00:42:48,600 --> 00:42:49,800 Is that what Roxy told you? 591 00:42:49,800 --> 00:42:51,383 She didn't need to tell me anything. 592 00:42:51,383 --> 00:42:53,090 It's written all over your face. 593 00:42:53,090 --> 00:42:54,160 Now, let me do my job. 594 00:42:54,160 --> 00:42:56,840 [CHUCKLES] Your job? 595 00:42:56,840 --> 00:42:59,690 Your job is what I tell you it is. 596 00:42:59,690 --> 00:43:01,340 Don't push your luck, Jack. 597 00:43:01,340 --> 00:43:03,450 You're just a fucking ex-con on parole. 598 00:43:03,450 --> 00:43:06,450 And nobody loves a con. 599 00:43:06,450 --> 00:43:09,950 [SOMBER MUSIC] 600 00:43:18,950 --> 00:43:20,830 Is there anything else, Jack? 601 00:43:20,830 --> 00:43:23,350 Uh, no, thanks. 602 00:43:23,350 --> 00:43:24,430 Let's call it a day. 603 00:43:24,430 --> 00:43:25,360 OK. 604 00:43:25,360 --> 00:43:27,816 Good night. 605 00:43:27,816 --> 00:43:30,370 Wait up. 606 00:43:30,370 --> 00:43:33,650 I'll walk with you. 607 00:43:33,650 --> 00:43:35,180 Say, did you ever bake me that pie? 608 00:43:38,617 --> 00:43:42,054 [LIGHT SUSPENSEFUL MUSIC] 609 00:43:45,982 --> 00:43:47,455 JACK: Oh, damn. 610 00:43:50,401 --> 00:43:52,580 ROXANNE (ON ANSWERING MACHINE): Jack, this is Roxy. 611 00:43:52,580 --> 00:43:53,900 I have to talk to you. 612 00:43:53,900 --> 00:43:55,480 I'll be at Danielle's after 9:00. 613 00:43:55,480 --> 00:43:56,475 Please come. 614 00:44:05,259 --> 00:44:08,738 [LIGHT DRAMATIC MUSIC] 615 00:44:33,091 --> 00:44:36,480 JACK (VOICEOVER): I knew I was meeting Roxy at 9:00. 616 00:44:36,480 --> 00:44:39,480 So why did I go to Sue Ellen's apartment? 617 00:44:39,480 --> 00:44:41,910 Maybe she was right about me. 618 00:44:41,910 --> 00:44:43,790 I just couldn't pass up a sure thing. 619 00:44:43,790 --> 00:44:48,120 [CHUCKLES] Come on in, stranger. 620 00:44:48,120 --> 00:44:49,740 Join the party. 621 00:44:49,740 --> 00:44:50,580 Do you want a drink? 622 00:44:50,580 --> 00:44:53,905 [FAST JAZZ MUSIC] 623 00:44:55,330 --> 00:44:58,000 I've never seen you like this before. 624 00:44:58,000 --> 00:45:00,020 You look different. 625 00:45:00,020 --> 00:45:02,270 You're not gonna try to take advantage of me, are you? 626 00:45:02,270 --> 00:45:04,390 [CHUCKLES] Shouldn't I be the one who's worried? 627 00:45:04,390 --> 00:45:07,005 I mean, after all, you are Jack Nietzsche. 628 00:45:07,005 --> 00:45:08,350 [LAUGHS] 629 00:45:13,260 --> 00:45:14,530 Ta-da! 630 00:45:14,530 --> 00:45:16,370 La piece de resistance. 631 00:45:16,370 --> 00:45:17,735 [CHUCKLES] 632 00:45:17,735 --> 00:45:19,575 You're not gonna have any? 633 00:45:19,575 --> 00:45:21,040 No. 634 00:45:21,040 --> 00:45:23,450 We bombshells have to watch our figures. 635 00:45:23,450 --> 00:45:24,250 OK. 636 00:45:30,500 --> 00:45:31,450 Almost as good as sex. 637 00:45:31,450 --> 00:45:34,200 [LAUGHS] 638 00:45:34,200 --> 00:45:36,145 No, really, everything has been great. 639 00:45:36,145 --> 00:45:38,270 I haven't eaten like this since Thanksgiving dinner 640 00:45:38,270 --> 00:45:39,070 in the joint. 641 00:45:39,070 --> 00:45:41,795 [LAUGHS] Wait here. 642 00:45:41,795 --> 00:45:43,160 I'll be right back. 643 00:45:58,257 --> 00:45:59,590 Sue Ellen? 644 00:45:59,590 --> 00:46:00,770 SUE: In here. 645 00:46:00,770 --> 00:46:03,170 Uh, listen, it's getting kinda late. 646 00:46:03,170 --> 00:46:04,430 I think I should be going. 647 00:46:04,430 --> 00:46:05,722 SUE: Damn! 648 00:46:05,722 --> 00:46:07,305 Jack, could you come in here a minute? 649 00:46:13,574 --> 00:46:16,017 Oh, jeez. 650 00:46:16,017 --> 00:46:18,879 SUE: [LAUGHS] 651 00:46:24,126 --> 00:46:26,926 JACK: OK. 652 00:46:26,926 --> 00:46:33,160 Don't you wanna see if sex is still better than the apple pie? 653 00:46:33,160 --> 00:46:34,956 [LAUGHS] 654 00:46:34,956 --> 00:46:37,080 Oh, no, no, no. 655 00:46:37,080 --> 00:46:38,210 Hey, hey, no. 656 00:46:38,210 --> 00:46:39,690 Come on, Jack, don't go! 657 00:46:39,690 --> 00:46:40,620 Please, don't go. 658 00:46:40,620 --> 00:46:41,600 Now, come on. 659 00:46:41,600 --> 00:46:42,710 I want you to fuck me. 660 00:46:42,710 --> 00:46:43,680 I know what you need. 661 00:46:43,680 --> 00:46:44,700 You need me. 662 00:46:44,700 --> 00:46:45,500 Huh? 663 00:46:45,500 --> 00:46:46,310 Yeah, you do. 664 00:46:46,310 --> 00:46:47,310 Let me show you. 665 00:46:47,310 --> 00:46:48,110 Let me show you. 666 00:46:48,110 --> 00:46:49,360 Let me show you what I've got. 667 00:46:49,360 --> 00:46:50,350 Come on. 668 00:46:50,350 --> 00:46:51,630 Come here. Come here. 669 00:46:51,630 --> 00:46:52,655 Hey, hey, hey. Hey! 670 00:46:52,655 --> 00:46:53,455 Hey! 671 00:46:56,724 --> 00:46:59,225 I guess you've got better things to do than to fuck me, 672 00:46:59,225 --> 00:47:00,025 huh? 673 00:47:00,025 --> 00:47:00,920 Sue Ellen. 674 00:47:03,920 --> 00:47:05,300 Sue Ellen, I'm sorry. 675 00:47:05,300 --> 00:47:07,727 I never should have come here. 676 00:47:07,727 --> 00:47:08,685 Can we just be friends? 677 00:47:08,685 --> 00:47:10,030 No, we can't! 678 00:47:10,030 --> 00:47:11,300 Just go away! 679 00:47:11,300 --> 00:47:13,550 I don't wanna leave like this. 680 00:47:13,550 --> 00:47:14,350 Go! 681 00:47:14,350 --> 00:47:15,440 Just get out of my life! 682 00:47:15,440 --> 00:47:16,760 Get the fuck out of my life! 683 00:47:16,760 --> 00:47:20,190 [SUSPENSEFUL MUSIC] 684 00:47:21,660 --> 00:47:23,250 Leave! 685 00:47:23,250 --> 00:47:26,730 JACK (VOICEOVER): Sure thing or not, I had to keep focused. 686 00:47:26,730 --> 00:47:28,980 Falcone had what I wanted. 687 00:47:28,980 --> 00:47:30,725 And a way to get that was through Roxy. 688 00:47:33,460 --> 00:47:36,390 ROXANNE: Pretty sure of yourself, aren't you? 689 00:47:36,390 --> 00:47:37,545 I'm not a hooker anymore. 690 00:47:37,545 --> 00:47:38,345 I don't need money. 691 00:47:38,345 --> 00:47:39,790 What do you need? 692 00:47:39,790 --> 00:47:41,350 ROXANNE: You've got all the answers. 693 00:47:41,350 --> 00:47:42,267 Why don't you tell me? 694 00:47:42,267 --> 00:47:44,310 I'd say you need a man, someone 695 00:47:44,310 --> 00:47:46,680 who doesn't give a shit you were a hooker, that 696 00:47:46,680 --> 00:47:48,670 lets Roxy be Roxy. 697 00:47:48,670 --> 00:47:49,921 [SCOFFS] Right. 698 00:47:53,218 --> 00:47:54,260 Sounds nice. 699 00:47:54,260 --> 00:47:56,572 But what's in it for you? 700 00:47:56,572 --> 00:47:58,430 I don't know. 701 00:47:58,430 --> 00:48:00,650 A man's a simple animal. 702 00:48:00,650 --> 00:48:04,144 He has simple needs. 703 00:48:04,144 --> 00:48:05,850 That's the problem with men. 704 00:48:05,850 --> 00:48:09,210 They think life's so simple. 705 00:48:09,210 --> 00:48:12,570 [ROMANTIC ROCK MUSIC] 706 00:48:15,450 --> 00:48:18,260 Why don't we just start simply and work our way up? 707 00:48:18,260 --> 00:48:19,757 Jack-- 708 00:48:28,240 --> 00:48:31,432 [JAZZ MUSIC] 709 00:48:32,232 --> 00:48:36,224 ROXANNE: [MOANING] 710 00:51:37,361 --> 00:51:41,353 [MOANING] 711 00:52:21,273 --> 00:52:23,255 Jack's in an awful hurry. 712 00:52:27,165 --> 00:52:30,630 [SUSPENSEFUL MUSIC] 713 00:52:34,110 --> 00:52:38,376 Well, you have more company, darling. 714 00:52:38,376 --> 00:52:39,330 Who is it? 715 00:52:39,330 --> 00:52:40,510 DANIELLE: Ted Quincy. 716 00:52:43,950 --> 00:52:44,940 He must have seen Jack. 717 00:52:44,940 --> 00:52:47,430 Because he doesn't look happy. 718 00:52:47,430 --> 00:52:51,322 [SIGHS] Stall him a few minutes. 719 00:52:51,322 --> 00:52:52,790 Then send him to my room. 720 00:53:12,840 --> 00:53:19,170 So you're finally starting to see things my way. 721 00:53:19,170 --> 00:53:21,490 Do I have a choice? 722 00:53:21,490 --> 00:53:22,935 I may as well make the best of it. 723 00:53:22,935 --> 00:53:29,160 TED: [LAUGHING] Smart girl. 724 00:53:29,160 --> 00:53:31,506 What did Nietzsche want? 725 00:53:31,506 --> 00:53:34,212 Take a guess. 726 00:53:34,212 --> 00:53:36,970 TED (ON VIDEO): A lot of women find him attractive. 727 00:53:36,970 --> 00:53:38,330 ROXANNE (ON VIDEO): In a way. 728 00:53:38,330 --> 00:53:40,220 He can't do anything for me, though. 729 00:53:40,220 --> 00:53:41,290 It's just a trick. 730 00:53:44,230 --> 00:53:46,340 That's what I like about you, Roxy. 731 00:53:48,850 --> 00:53:52,646 You always got your eye on the brass ring. 732 00:53:52,646 --> 00:53:54,660 You only go around once, Ted. 733 00:53:57,750 --> 00:53:58,565 Shall we? 734 00:54:01,444 --> 00:54:02,860 It's been a long time. 735 00:54:11,796 --> 00:54:14,210 TED: Where the hell have you been all night? 736 00:54:14,210 --> 00:54:18,390 You were out having sex, weren't you? 737 00:54:18,390 --> 00:54:20,160 Look at you. 738 00:54:20,160 --> 00:54:23,490 You're nothing but a fucking tramp. 739 00:54:23,490 --> 00:54:25,330 I bet you're not wearing panties, are you? 740 00:54:28,234 --> 00:54:33,336 You like it when I don't wear panties, don't you? 741 00:54:33,336 --> 00:54:34,975 Shut up! 742 00:54:34,975 --> 00:54:37,600 I can just imagine what you're thinking when you're out at bars 743 00:54:37,600 --> 00:54:41,150 dressed like that, with nothing on underneath. 744 00:54:41,150 --> 00:54:43,780 Well, I think I'm a whore, Ted. 745 00:54:43,780 --> 00:54:47,505 And I think you like the idea of me screwing other men. 746 00:54:50,740 --> 00:54:52,700 I was with another man tonight, Ted. 747 00:54:56,890 --> 00:54:58,452 You like that, don't you? 748 00:54:58,452 --> 00:54:59,252 Hmm? 749 00:55:01,900 --> 00:55:04,140 Maybe I was with more than one man. 750 00:55:06,820 --> 00:55:10,670 Maybe I was with a lot of different men. 751 00:55:14,530 --> 00:55:17,795 A lot of different men. 752 00:55:17,795 --> 00:55:21,010 Shut up, you fucking slut! 753 00:55:21,010 --> 00:55:23,320 That's all you ever were-- 754 00:55:23,320 --> 00:55:25,350 a fucking slut! 755 00:55:25,350 --> 00:55:28,870 What if-- (WHISPERS) what if one of those 756 00:55:28,870 --> 00:55:31,642 men followed me home tonight? 757 00:55:31,642 --> 00:55:32,634 Huh? 758 00:55:32,634 --> 00:55:34,200 What would you do, Teddy? 759 00:55:38,110 --> 00:55:45,210 Maybe he's outside right now, huh, looking at us. 760 00:55:45,210 --> 00:55:49,820 What would that make you do, Teddy bear? 761 00:55:49,820 --> 00:55:51,830 TED (ON VIDEO): I'll fucking kill you, whore! 762 00:55:58,476 --> 00:56:01,962 [SUSPENSEFUL MUSIC] 763 00:56:13,914 --> 00:56:15,408 [BEEPS] 764 00:56:32,838 --> 00:56:36,324 [LIGHT DRAMATIC MUSIC] 765 00:56:47,778 --> 00:56:51,264 [SUSPENSEFUL MUSIC] 766 00:57:07,200 --> 00:57:10,686 [LIGHT DRAMATIC MUSIC] 767 00:57:19,152 --> 00:57:20,646 [BEEPS] 768 00:57:56,004 --> 00:57:58,280 JACK (VOICEOVER): I didn't sleep well that night. 769 00:57:58,280 --> 00:58:00,215 I kept thinking about Roxy. 770 00:58:00,215 --> 00:58:01,840 (ECHOING) She was really getting to me. 771 00:58:01,840 --> 00:58:03,980 She was really getting to me. I was starting to like her. 772 00:58:03,980 --> 00:58:06,440 I was starting to really like her. 773 00:58:06,440 --> 00:58:09,277 Sexy, smart, beautiful heart-- 774 00:58:09,277 --> 00:58:12,020 my kind of woman. 775 00:58:12,020 --> 00:58:13,400 I don't fall in love easily. 776 00:58:13,400 --> 00:58:15,363 And I felt myself slipping. 777 00:58:15,363 --> 00:58:16,405 It made me uncomfortable. 778 00:58:16,405 --> 00:58:18,234 It made me uncomfortable. 779 00:58:30,186 --> 00:58:34,170 [MOANING] 780 00:59:08,034 --> 00:59:10,580 When you didn't respond to my letter, Mr. Nietzsche, 781 00:59:10,580 --> 00:59:11,840 I became concerned. 782 00:59:11,840 --> 00:59:14,600 And I contacted Mr. Quincy. 783 00:59:14,600 --> 00:59:16,400 As you know, the terms of your parole 784 00:59:16,400 --> 00:59:19,170 require a satisfactory work report. 785 00:59:19,170 --> 00:59:19,970 Yeah. 786 00:59:19,970 --> 00:59:21,270 So how am I doing? 787 00:59:21,270 --> 00:59:23,810 LAUREL: Mr. Quincy feels that your work performance hasn't 788 00:59:23,810 --> 00:59:25,390 been up to his standards. 789 00:59:25,390 --> 00:59:27,320 Specifically, there are instances 790 00:59:27,320 --> 00:59:29,190 of absence and tardiness. 791 00:59:29,190 --> 00:59:31,430 A bottle of liquor was found in your desk 792 00:59:31,430 --> 00:59:33,590 and reports of association with the wife 793 00:59:33,590 --> 00:59:36,140 of an organized crime figure. 794 00:59:36,140 --> 00:59:38,695 You wanna know how many times I jerked off last week? 795 00:59:38,695 --> 00:59:43,542 This isn't an occasion for flippancy, Mr. Nietzsche. 796 00:59:43,542 --> 00:59:45,090 OK. 797 00:59:45,090 --> 00:59:45,930 OK. 798 00:59:45,930 --> 00:59:47,000 When's the execution? 799 00:59:47,000 --> 00:59:49,620 LAUREL: For the time being, you can remain here. 800 00:59:49,620 --> 00:59:52,290 Next week, a determination will be made whether to remand 801 00:59:52,290 --> 00:59:53,150 you back to prison. 802 00:59:57,888 --> 00:59:59,305 Great seeing you again, Uncle Ted. 803 01:00:01,845 --> 01:00:05,370 Laurel, you get more beautiful every time I see you. 804 01:00:05,370 --> 01:00:06,720 Say hi to your dad for me, huh? 805 01:00:06,720 --> 01:00:07,530 I will. 806 01:00:07,530 --> 01:00:09,040 Next week, Mr. Nietzsche. 807 01:00:11,902 --> 01:00:14,287 [DOOR OPENS, CLOSES] 808 01:00:14,287 --> 01:00:15,465 Uncle Ted? 809 01:00:15,465 --> 01:00:18,222 What the hell was that about? 810 01:00:18,222 --> 01:00:21,340 Sorry, Jack. 811 01:00:21,340 --> 01:00:23,700 I want you out of here by the end of the day. 812 01:00:23,700 --> 01:00:26,632 You never could leave her alone, could you? 813 01:00:26,632 --> 01:00:28,480 Case closed, Nietzsche. 814 01:00:28,480 --> 01:00:29,346 You're history. 815 01:00:29,346 --> 01:00:30,146 Goodbye! 816 01:00:33,490 --> 01:00:34,930 You wanna go back to prison, Jack? 817 01:00:34,930 --> 01:00:36,127 Let me tell you something. 818 01:00:36,127 --> 01:00:37,960 As far as Roxy's concerned, you were nothing 819 01:00:37,960 --> 01:00:39,640 but a pity fuck from day one. 820 01:00:39,640 --> 01:00:41,410 Is that right? 821 01:00:41,410 --> 01:00:44,950 And how the fuck would you know? 822 01:00:44,950 --> 01:00:47,480 Get the fuck outta here before I call security. 823 01:00:51,566 --> 01:00:54,390 It's too bad dead hookers can't talk. 824 01:00:54,390 --> 01:00:57,750 I'm sure your ex-wife had a hell of a story. 825 01:00:57,750 --> 01:01:01,180 [SUSPENSEFUL MUSIC] 826 01:01:16,370 --> 01:01:17,460 Danielle Ward. 827 01:01:17,460 --> 01:01:18,710 JACK (ON PHONE): Hi, Danielle. 828 01:01:18,710 --> 01:01:19,510 This is Jack. 829 01:01:19,510 --> 01:01:20,482 Oh, hello, Jack. 830 01:01:20,482 --> 01:01:22,440 JACK (ON PHONE): Yeah, I need to speak to Roxy. 831 01:01:22,440 --> 01:01:23,240 Is she there? 832 01:01:23,240 --> 01:01:25,910 No, I'm sorry, she isn't. 833 01:01:25,910 --> 01:01:30,165 Can I take a message for her in case she calls? 834 01:01:30,165 --> 01:01:32,040 Just tell her I was thinking about her, OK? 835 01:01:32,040 --> 01:01:33,100 OK. 836 01:01:33,100 --> 01:01:33,900 Bye-bye. 837 01:01:40,060 --> 01:01:42,580 He was thinking about you. 838 01:01:42,580 --> 01:01:46,214 Absence makes the heart grow fonder. 839 01:01:46,214 --> 01:01:48,450 [TELEPHONE RINGING] 840 01:01:48,450 --> 01:01:50,200 JACK (ON ANSWERING MACHINE): This is Jack. 841 01:01:50,200 --> 01:01:51,020 Do it at the beep. 842 01:01:51,020 --> 01:01:52,496 [PHONE BEEPS] 843 01:01:52,496 --> 01:01:54,910 ROXANNE (ON ANSWERING MACHINE): Jack, this is Roxy. 844 01:01:54,910 --> 01:01:56,770 I wish you were there. 845 01:01:56,770 --> 01:01:59,080 Your office said you were gone. 846 01:01:59,080 --> 01:02:02,290 Right after you left last night, Quincy came by. 847 01:02:02,290 --> 01:02:03,680 He must have followed you. 848 01:02:03,680 --> 01:02:06,040 He forced his way into Danielle's. 849 01:02:06,040 --> 01:02:08,292 He took me into a room. 850 01:02:08,292 --> 01:02:11,140 Roxy, where are you? 851 01:02:11,140 --> 01:02:13,040 Where are you? 852 01:02:13,040 --> 01:02:15,320 You're OK? 853 01:02:15,320 --> 01:02:17,300 All right, come over here. 854 01:02:17,300 --> 01:02:18,690 I don't care. Make an excuse. 855 01:02:18,690 --> 01:02:19,500 Just get over here. 856 01:02:25,844 --> 01:02:29,260 [SUSPENSEFUL MUSIC] 857 01:02:32,210 --> 01:02:34,250 You were right. 858 01:02:34,250 --> 01:02:37,430 I checked out Quincy's friend to his ex-wife. 859 01:02:37,430 --> 01:02:40,620 Unbelievable. 860 01:02:40,620 --> 01:02:43,170 She was a prostitute, you know. 861 01:02:43,170 --> 01:02:44,645 He was a suspect in her murder. 862 01:02:48,864 --> 01:02:49,780 I know. 863 01:02:49,780 --> 01:02:51,435 And now you've taken her place. 864 01:02:55,024 --> 01:02:59,140 Jack, he forces me to dress up in a blonde wig 865 01:02:59,140 --> 01:03:02,350 so I look like her, tell him things I do with other men. 866 01:03:02,350 --> 01:03:03,160 Really? 867 01:03:03,160 --> 01:03:05,900 Don't you see that's what Quincy's all about? 868 01:03:05,900 --> 01:03:06,948 He loves prostitutes. 869 01:03:06,948 --> 01:03:08,240 He loves everything about them. 870 01:03:08,240 --> 01:03:10,270 Only when he found out Mrs. Quincy was fucking 871 01:03:10,270 --> 01:03:12,290 everything around him, threatening to leave him, 872 01:03:12,290 --> 01:03:13,280 he couldn't handle it. 873 01:03:13,280 --> 01:03:14,500 He flipped out. 874 01:03:14,500 --> 01:03:17,065 That's why I think he killed her. 875 01:03:17,065 --> 01:03:19,186 He might do it again. 876 01:03:19,186 --> 01:03:21,150 [SCOFFS] What are you talking about? 877 01:03:21,150 --> 01:03:21,950 She's dead. 878 01:03:21,950 --> 01:03:22,930 She is. 879 01:03:25,750 --> 01:03:27,179 But you're not. 880 01:03:27,179 --> 01:03:30,672 [ROCK MUSIC] 881 01:03:30,672 --> 01:03:34,165 [JAZZ MUSIC] 882 01:03:49,634 --> 01:03:53,626 ROXANNE: [MOANING] 883 01:04:59,993 --> 01:05:03,486 [MOANING] 884 01:05:35,921 --> 01:05:39,414 [MOANING] 885 01:06:25,322 --> 01:06:28,815 [MOANING] 886 01:06:50,771 --> 01:06:54,245 Where's this going, Jack? 887 01:06:54,245 --> 01:06:57,046 That depends. 888 01:06:57,046 --> 01:07:01,755 I hope "depends" means Ted and Tony. 889 01:07:01,755 --> 01:07:05,585 You come with a lot of baggage, lady. 890 01:07:05,585 --> 01:07:10,060 We both come with a few strings attached. 891 01:07:10,060 --> 01:07:13,952 The point is, what are we gonna do about it? 892 01:07:13,952 --> 01:07:16,120 Why don't we cut the bullshit and throw 893 01:07:16,120 --> 01:07:17,205 some cards on the table? 894 01:07:20,480 --> 01:07:22,920 Get out, Jack. 895 01:07:22,920 --> 01:07:26,480 Stop thinking with your dick for a change and do the right thing. 896 01:07:26,480 --> 01:07:30,480 JACK: Look, Les, I got a hot piece of ass on the line. 897 01:07:30,480 --> 01:07:32,490 And if I play my shit right, I'm gonna step 898 01:07:32,490 --> 01:07:34,022 right into Falcone's shoes. 899 01:07:34,022 --> 01:07:38,862 Since when has a piece of pussy ever paid you dividends? 900 01:07:38,862 --> 01:07:40,400 There's always a first time. 901 01:07:40,400 --> 01:07:43,412 No pussy-- repeat, no pussy is worth what Falcone is gonna do 902 01:07:43,412 --> 01:07:45,120 to your ass when he finds out you've been 903 01:07:45,120 --> 01:07:46,510 sniffing around his old lady. 904 01:07:46,510 --> 01:07:48,500 You know he keeps that bitch on a tight leash? 905 01:07:51,450 --> 01:07:52,890 Hey, hey! 906 01:07:52,890 --> 01:07:55,322 Is any of this getting through to you? 907 01:07:55,322 --> 01:07:57,300 Yeah, I hear you. 908 01:07:57,300 --> 01:07:58,560 But what the fuck, huh? 909 01:07:58,560 --> 01:08:01,544 LES: What the fuck? 910 01:08:01,544 --> 01:08:02,540 TONY: Hello, Quincy. 911 01:08:05,830 --> 01:08:07,115 TED: Hello, Tony. 912 01:08:09,790 --> 01:08:10,650 Long time no see. 913 01:08:14,050 --> 01:08:15,230 What can I do for you? 914 01:08:15,230 --> 01:08:18,060 I hear you've been investigating my wife. 915 01:08:18,060 --> 01:08:19,950 Who told you that? 916 01:08:19,950 --> 01:08:21,439 TONY: It doesn't matter. 917 01:08:21,439 --> 01:08:24,250 How is Roxy, anyway? 918 01:08:24,250 --> 01:08:25,755 You know, she and I go way back. 919 01:08:25,755 --> 01:08:27,189 So I hear. 920 01:08:27,189 --> 01:08:29,620 TED: She's still as hot as she used to be? 921 01:08:29,620 --> 01:08:32,800 You know how some women get as soon as they're married. 922 01:08:32,800 --> 01:08:35,250 Everything starts hanging out. 923 01:08:35,250 --> 01:08:37,952 It's sad to think that might have happened to Roxy. 924 01:08:37,952 --> 01:08:39,590 Stay away from her. 925 01:08:39,590 --> 01:08:43,401 [CHUCKLES] Take it easy, Tony. 926 01:08:43,401 --> 01:08:45,109 You don't know what you're talking about. 927 01:08:45,109 --> 01:08:46,665 Is that right? 928 01:08:46,665 --> 01:08:48,729 Yeah. 929 01:08:48,729 --> 01:08:51,240 Isn't this about an old claim Roxy filed with my company? 930 01:08:51,240 --> 01:08:53,620 TONY: Yeah, an old claim. 931 01:08:53,620 --> 01:08:56,830 That was reopened by one of my new agents. 932 01:08:56,830 --> 01:09:00,034 I didn't even know about it. 933 01:09:00,034 --> 01:09:02,249 What agent? 934 01:09:02,249 --> 01:09:05,970 Jack Nietzsche, an ex-con. 935 01:09:05,970 --> 01:09:07,029 Cheer up, Tony. 936 01:09:07,029 --> 01:09:09,210 I fired him today. 937 01:09:09,210 --> 01:09:13,779 Case closed, courtesy of Anaconda Casualty Company. 938 01:09:13,779 --> 01:09:17,090 Well, did this agent have anything to say about Roxy? 939 01:09:20,581 --> 01:09:24,410 As a matter of fact, he did. 940 01:09:24,410 --> 01:09:27,513 He said they can't seem to fuck each other enough. 941 01:09:27,513 --> 01:09:30,901 [LIGHT SUSPENSEFUL MUSIC] 942 01:09:40,581 --> 01:09:44,250 Well, that didn't take long. 943 01:09:44,250 --> 01:09:46,260 Word's out. 944 01:09:46,260 --> 01:09:48,605 Falcone has put a contract out on your ass. 945 01:09:51,770 --> 01:09:53,740 You don't seem surprised. 946 01:09:53,740 --> 01:09:54,640 I'm not. 947 01:09:57,576 --> 01:09:59,410 I wouldn't go home if I were you. 948 01:09:59,410 --> 01:10:00,210 Yeah. 949 01:10:00,210 --> 01:10:03,016 No shit. 950 01:10:03,016 --> 01:10:05,822 Somebody set you up real good, huh, friend? 951 01:10:05,822 --> 01:10:07,240 Yeah. 952 01:10:07,240 --> 01:10:09,350 It was Quincy. 953 01:10:09,350 --> 01:10:10,760 He used to be a cop. 954 01:10:10,760 --> 01:10:12,530 Probably bumped heads with Falcone long 955 01:10:12,530 --> 01:10:14,340 before Roxy ever came along. 956 01:10:14,340 --> 01:10:16,340 That's why he sent me to track her down. 957 01:10:16,340 --> 01:10:19,850 He knew Tony would find out about it sooner or later. 958 01:10:19,850 --> 01:10:22,380 And he makes up some bullshit about me and Roxy. 959 01:10:22,380 --> 01:10:24,140 Bullshit? 960 01:10:24,140 --> 01:10:24,950 What bullshit? 961 01:10:24,950 --> 01:10:26,861 It's true. 962 01:10:26,861 --> 01:10:29,320 Anyway, Tony takes care of me. 963 01:10:29,320 --> 01:10:30,445 And Quincy is in the clear. 964 01:10:32,970 --> 01:10:36,274 So what the fuck are you gonna do now? 965 01:10:36,274 --> 01:10:39,753 [JAZZ MUSIC] 966 01:10:54,166 --> 01:10:55,910 You've got some nerve. 967 01:10:55,910 --> 01:10:56,927 I'm in trouble. 968 01:10:56,927 --> 01:10:57,885 I need a place to stay. 969 01:11:05,802 --> 01:11:07,140 Did I catch you at a bad time? 970 01:11:07,140 --> 01:11:08,528 Actually, it's a good time. 971 01:11:08,528 --> 01:11:09,820 I'm going away for the weekend. 972 01:11:09,820 --> 01:11:11,770 So you can have the whole place to yourself. 973 01:11:11,770 --> 01:11:14,150 There's a spare set of keys in the kitchen. 974 01:11:14,150 --> 01:11:14,950 Make the bed. 975 01:11:14,950 --> 01:11:16,520 And lock up before you leave. 976 01:11:16,520 --> 01:11:17,940 Thanks. 977 01:11:17,940 --> 01:11:19,130 You know me. 978 01:11:19,130 --> 01:11:20,355 I'm a sucker for lost causes. 979 01:11:20,355 --> 01:11:22,242 Still friends? 980 01:11:22,242 --> 01:11:24,210 Let me know when you come to your senses? 981 01:11:32,105 --> 01:11:35,070 He came to my office, for Christ's sake, 982 01:11:35,070 --> 01:11:37,470 like the fucking godfather. 983 01:11:37,470 --> 01:11:40,985 I have a business to run, standing in the community. 984 01:11:40,985 --> 01:11:45,190 All I told him was Anaconda was investigating me. 985 01:11:45,190 --> 01:11:47,670 What do you think, huh? 986 01:11:47,670 --> 01:11:49,670 You think you're the only one he bullies around? 987 01:11:56,416 --> 01:11:59,930 You just find a way to keep him off my back. 988 01:11:59,930 --> 01:12:05,555 There's a $4 million insurance policy on Tony in my name. 989 01:12:05,555 --> 01:12:07,930 [SUSPENSEFUL MUSIC] 990 01:12:07,930 --> 01:12:10,962 You can't be serious. 991 01:12:10,962 --> 01:12:13,090 I'm dead serious. 992 01:12:13,090 --> 01:12:16,390 50/50, Ted, $2 million. 993 01:12:16,390 --> 01:12:21,515 I'm talking me and more money than you ever dreamed of. 994 01:12:21,515 --> 01:12:23,170 What don't you call Jack? 995 01:12:23,170 --> 01:12:24,595 Isn't that more up his alley? 996 01:12:24,595 --> 01:12:25,720 ROXANNE: Jack's a dead man. 997 01:12:25,720 --> 01:12:26,595 And you know it. 998 01:12:30,034 --> 01:12:32,295 (WHISPERING) I could be her all day long. 999 01:12:35,410 --> 01:12:37,700 We could go out together in public, 1000 01:12:37,700 --> 01:12:39,300 not worry about anybody seeing us. 1001 01:12:39,300 --> 01:12:41,110 She'd be alive again. 1002 01:12:41,110 --> 01:12:43,270 Think about it, huh? 1003 01:12:43,270 --> 01:12:44,950 A new wife. 1004 01:12:44,950 --> 01:12:47,456 And no one would know she's a prostitute. 1005 01:12:50,360 --> 01:12:53,440 Kill Tony Falcone. 1006 01:12:53,440 --> 01:12:56,378 It's crazy. 1007 01:12:56,378 --> 01:12:58,490 You know it's only a matter of time 1008 01:12:58,490 --> 01:12:59,860 before he finds out about us. 1009 01:12:59,860 --> 01:13:02,253 Why not deal with it now before he suspects anything? 1010 01:13:08,724 --> 01:13:11,645 It's all so easy for you, isn't it? 1011 01:13:15,217 --> 01:13:19,576 I think there's a bit of a killer instinct in both of us. 1012 01:13:19,576 --> 01:13:22,564 [LAUGHS] 1013 01:13:26,550 --> 01:13:28,460 What if I like things the way they are? 1014 01:13:32,650 --> 01:13:36,070 Then maybe your friends, the people you do business 1015 01:13:36,070 --> 01:13:39,488 with in your standing in the community, 1016 01:13:39,488 --> 01:13:40,780 will get a big kick outta this. 1017 01:13:44,618 --> 01:13:48,069 [SUSPENSEFUL MUSIC] 1018 01:13:54,478 --> 01:13:56,943 [SIGHS] 1019 01:13:59,901 --> 01:14:02,859 [TIRES SCREECHING] 1020 01:14:07,789 --> 01:14:09,180 To us. 1021 01:14:09,180 --> 01:14:13,805 To us and to stupid, greedy, foolish men. 1022 01:14:13,805 --> 01:14:15,625 [LAUGHTER] 1023 01:14:30,475 --> 01:14:34,210 DANIELLE: (SOUTHERN ACCENT) Ah, the knight in shining armor. 1024 01:14:34,210 --> 01:14:37,340 And as predictable as rain. 1025 01:14:37,340 --> 01:14:39,260 That's my cue. 1026 01:14:39,260 --> 01:14:40,060 Wish me luck. 1027 01:14:40,060 --> 01:14:40,905 Break a leg. 1028 01:14:46,394 --> 01:14:48,380 Jack, thank goodness. 1029 01:14:48,380 --> 01:14:49,275 Quincy was just here. 1030 01:14:49,275 --> 01:14:50,275 He was looking for Roxy. 1031 01:14:50,275 --> 01:14:51,205 Well, where is she? 1032 01:14:51,205 --> 01:14:52,700 DANIELLE: She just called. 1033 01:14:52,700 --> 01:14:53,620 Tony's drunk. 1034 01:14:53,620 --> 01:14:54,703 And he hit her. 1035 01:14:54,703 --> 01:14:55,870 He says he's gonna kill you. 1036 01:14:55,870 --> 01:14:57,470 Motherfucker! 1037 01:14:57,470 --> 01:14:58,335 Is she still there? 1038 01:14:58,335 --> 01:14:59,960 DANIELLE: No, she just ran out of here. 1039 01:14:59,960 --> 01:15:01,275 She said she was going to your place. 1040 01:15:01,275 --> 01:15:02,775 Give me her car phone number. 1041 01:15:07,205 --> 01:15:09,225 DANIELLE: I have it in here somewhere. 1042 01:15:09,225 --> 01:15:10,860 It's funny I didn't see her leave. 1043 01:15:10,860 --> 01:15:13,054 I was watching the house. 1044 01:15:13,054 --> 01:15:17,231 Oh, um, you must have missed her somehow then. 1045 01:15:17,231 --> 01:15:19,270 All right, look, I don't have time for this. 1046 01:15:19,270 --> 01:15:20,520 You find the number, call her. 1047 01:15:20,520 --> 01:15:22,900 Tell her to meet me at 1625 North Oakhurst. 1048 01:15:22,900 --> 01:15:24,530 OK, 1625 North Oakhurst. 1049 01:15:24,530 --> 01:15:26,150 Yeah. Tell her I'll meet her there. 1050 01:15:26,150 --> 01:15:27,233 DANIELLE: OK, hurry, Jack. 1051 01:15:31,980 --> 01:15:32,780 It's amazing. 1052 01:15:32,780 --> 01:15:33,580 It's so easy. 1053 01:15:33,580 --> 01:15:35,065 You pull a string, they jump. 1054 01:15:35,065 --> 01:15:39,095 [LAUGHS] To jumping men. 1055 01:15:39,095 --> 01:15:40,580 [LAUGHS] 1056 01:15:54,780 --> 01:15:55,580 All right. 1057 01:15:55,580 --> 01:15:58,510 Make me irresistible. 1058 01:15:58,510 --> 01:16:01,120 Harder. 1059 01:16:01,120 --> 01:16:02,770 Harder! 1060 01:16:02,770 --> 01:16:04,290 Again! 1061 01:16:04,290 --> 01:16:05,470 Again! 1062 01:16:05,470 --> 01:16:06,270 Again! 1063 01:16:08,065 --> 01:16:08,865 Again. 1064 01:16:22,407 --> 01:16:24,255 [CRYING] Tony, you bastard. 1065 01:16:46,578 --> 01:16:48,812 JACK: Does it hurt? 1066 01:16:48,812 --> 01:16:51,900 ROXANNE: No. 1067 01:16:51,900 --> 01:16:54,230 Jack, what are we gonna do? 1068 01:16:54,230 --> 01:16:56,220 I don't know. 1069 01:16:56,220 --> 01:16:57,640 Things are complicated. 1070 01:16:57,640 --> 01:17:00,170 Life is complicated. 1071 01:17:00,170 --> 01:17:02,902 I got a lot to think about. 1072 01:17:02,902 --> 01:17:05,580 And I bring a lot to the table-- 1073 01:17:05,580 --> 01:17:08,760 me, Tony's money, the businesses, 1074 01:17:08,760 --> 01:17:10,865 the house, the investments. 1075 01:17:10,865 --> 01:17:15,550 Those are things a man doesn't give up easily. 1076 01:17:15,550 --> 01:17:18,420 Jack, until Tony and Ted are out of the way, 1077 01:17:18,420 --> 01:17:21,590 we can't have what we want. 1078 01:17:21,590 --> 01:17:22,740 One wants to kill you. 1079 01:17:22,740 --> 01:17:25,026 The other one wants to send you back to prison. 1080 01:17:25,026 --> 01:17:26,665 Well, what do you want? 1081 01:17:30,856 --> 01:17:32,596 I want everything. 1082 01:17:37,425 --> 01:17:40,180 So how did Tony leave it with Quincy? 1083 01:17:40,180 --> 01:17:42,672 Quincy blamed everything on you. 1084 01:17:42,672 --> 01:17:44,130 He's gonna give Tony all the papers 1085 01:17:44,130 --> 01:17:46,235 for my old insurance claim. 1086 01:17:46,235 --> 01:17:47,810 Good. 1087 01:17:47,810 --> 01:17:49,970 That's good? 1088 01:17:49,970 --> 01:17:53,400 Yeah, because you're gonna tell Tony how it was Quincy who 1089 01:17:53,400 --> 01:17:56,940 always wanted you, threatening you, 1090 01:17:56,940 --> 01:18:00,180 forcing you to have sex with him. 1091 01:18:00,180 --> 01:18:01,910 And then sayonara, Quincy. 1092 01:18:04,600 --> 01:18:07,075 But that still leaves Tony. 1093 01:18:07,075 --> 01:18:11,630 Well, the funny thing about guys in Tony's line of work, 1094 01:18:11,630 --> 01:18:15,534 they always wind up dead. 1095 01:18:15,534 --> 01:18:22,323 Oh, Jack, we're finally on the same wavelength. 1096 01:18:22,323 --> 01:18:23,240 And we're not fucking. 1097 01:18:28,730 --> 01:18:29,605 What's the matter? 1098 01:18:33,274 --> 01:18:35,885 What do you think Danielle has to do with all this? 1099 01:18:41,525 --> 01:18:44,322 Why do you ask that? 1100 01:18:44,322 --> 01:18:46,480 Just a hunch. 1101 01:18:46,480 --> 01:18:50,750 ROXANNE: Danielle works for Tony. 1102 01:18:50,750 --> 01:18:52,955 Don't worry. 1103 01:18:52,955 --> 01:18:53,830 I'll handle Danielle. 1104 01:19:02,690 --> 01:19:03,590 Ted? 1105 01:19:03,590 --> 01:19:04,820 Roxy. 1106 01:19:04,820 --> 01:19:06,500 Tonight's the night. 1107 01:19:06,500 --> 01:19:10,130 Tony wants Danielle and me to put on a little show for him. 1108 01:19:10,130 --> 01:19:12,620 So he won't be expecting you. 1109 01:19:12,620 --> 01:19:14,810 I'll leave the den window open. 1110 01:19:14,810 --> 01:19:17,000 I'll make it look like someone broke in. 1111 01:19:17,000 --> 01:19:18,680 9 o'clock. 1112 01:19:18,680 --> 01:19:22,100 Don't be late. 1113 01:19:22,100 --> 01:19:23,480 Jack? 1114 01:19:23,480 --> 01:19:25,050 Roxy. 1115 01:19:25,050 --> 01:19:27,870 Quincy is coming by after 10 o'clock tonight. 1116 01:19:27,870 --> 01:19:31,230 Make sure when you come, it's at least 10:00. 1117 01:19:31,230 --> 01:19:34,586 We'll be having company until 9:30 or so. 1118 01:19:34,586 --> 01:19:37,066 I have to go now. 1119 01:19:37,066 --> 01:19:40,538 [ROCK MUSIC] 1120 01:19:56,410 --> 01:19:58,630 JACK (VOICEOVER): The truth was I still wasn't 1121 01:19:58,630 --> 01:20:00,640 sure where everything fit. 1122 01:20:00,640 --> 01:20:03,010 But I was sure about one thing-- 1123 01:20:03,010 --> 01:20:06,310 for Roxy to get what she wanted, she needed me. 1124 01:20:06,310 --> 01:20:10,300 And I needed her desperately. 1125 01:20:10,300 --> 01:20:12,910 I should have stayed clear of Falcone's that night. 1126 01:20:12,910 --> 01:20:16,180 But the idea of being with Roxy and running Falcone's operation 1127 01:20:16,180 --> 01:20:18,550 was too good to pass out. 1128 01:20:18,550 --> 01:20:22,150 It was a totally reckless, stupid thing to do. 1129 01:20:22,150 --> 01:20:24,700 But at the time, I figured, what the hell? 1130 01:20:24,700 --> 01:20:25,590 It's worth a shot. 1131 01:20:31,862 --> 01:20:35,334 [CRICKETS CHIRPING] 1132 01:21:58,184 --> 01:22:01,121 TED: Need a fourth? 1133 01:22:01,121 --> 01:22:03,985 TONY: What the fuck are you doing here? 1134 01:22:03,985 --> 01:22:06,285 I always hate to miss a party. 1135 01:22:06,285 --> 01:22:11,240 TONY: Well, this is one party you should have missed. 1136 01:22:11,240 --> 01:22:13,045 Quincy, you always were a fool. 1137 01:22:16,260 --> 01:22:18,920 And if you're not careful, you're gonna be a dead fool. 1138 01:22:18,920 --> 01:22:21,360 I don't think so, Tony. 1139 01:22:21,360 --> 01:22:24,030 Don't you know cops always win? 1140 01:22:24,030 --> 01:22:25,180 Bravo, ladies. 1141 01:22:25,180 --> 01:22:26,820 Nice performance. 1142 01:22:26,820 --> 01:22:29,944 Congratulations on a job well done. 1143 01:22:29,944 --> 01:22:32,314 [SUSPENSEFUL MUSIC] 1144 01:22:32,314 --> 01:22:35,950 What the-- bitches! 1145 01:22:35,950 --> 01:22:36,926 [GUN FIRES] 1146 01:22:36,926 --> 01:22:38,390 [GRUNTS, THUDS] 1147 01:22:44,734 --> 01:22:48,770 Well, partner, that's the easiest $4 million 1148 01:22:48,770 --> 01:22:51,050 we'll ever make. 1149 01:22:51,050 --> 01:22:53,300 The night's still young, ladies. 1150 01:22:53,300 --> 01:22:57,650 I don't see any reason to break up the party, do you? 1151 01:22:57,650 --> 01:23:01,774 I think you got things a little mixed up, Ted. 1152 01:23:01,774 --> 01:23:03,755 Oh, really? 1153 01:23:03,755 --> 01:23:05,950 JACK: Put the gun down, Quincy. 1154 01:23:05,950 --> 01:23:09,615 TED: I thought I told you to stay off this case, Nietzsche. 1155 01:23:09,615 --> 01:23:11,640 JACK: Well, you know me. 1156 01:23:11,640 --> 01:23:15,042 I've always had a problem with authority. 1157 01:23:15,042 --> 01:23:18,030 No, your problem is you don't know about the deal Roxy 1158 01:23:18,030 --> 01:23:19,235 and I cut. 1159 01:23:19,235 --> 01:23:20,370 JACK: Is that right? 1160 01:23:20,370 --> 01:23:21,780 TED: Yeah. 1161 01:23:21,780 --> 01:23:24,780 We're gonna split the insurance money on Falcone. 1162 01:23:24,780 --> 01:23:28,370 I get her and the money. 1163 01:23:28,370 --> 01:23:29,570 I'm in. 1164 01:23:29,570 --> 01:23:31,050 You're out again, Jack. 1165 01:23:31,050 --> 01:23:32,273 I don't think so. 1166 01:23:32,273 --> 01:23:34,190 The only thing it looks like you get from here 1167 01:23:34,190 --> 01:23:35,520 is a long prison term. 1168 01:23:35,520 --> 01:23:36,630 Shut up. 1169 01:23:36,630 --> 01:23:38,064 [GUN FIRES] 1170 01:23:38,064 --> 01:23:39,498 [BODY THUDS] 1171 01:23:43,322 --> 01:23:45,120 ROXANNE: Is he dead? 1172 01:23:45,120 --> 01:23:46,530 TED: Cops never miss. 1173 01:23:49,560 --> 01:23:51,350 Say hello to your wife for me. 1174 01:23:51,350 --> 01:23:54,598 [GUN FIRING] 1175 01:23:55,594 --> 01:23:57,088 [GUN CLICKS] 1176 01:24:12,540 --> 01:24:15,240 Danny, we won. 1177 01:24:15,240 --> 01:24:17,345 Now we have everything. 1178 01:24:17,345 --> 01:24:19,050 Congratulations. 1179 01:24:19,050 --> 01:24:21,390 Jack. 1180 01:24:21,390 --> 01:24:23,490 You're OK. 1181 01:24:23,490 --> 01:24:25,990 No shit. 1182 01:24:25,990 --> 01:24:29,510 Bulletproof vest. 1183 01:24:29,510 --> 01:24:30,950 No more bullets, Rox. 1184 01:24:30,950 --> 01:24:32,590 Oh, I'm so glad-- 1185 01:24:32,590 --> 01:24:33,390 JACK: Don't. 1186 01:24:33,390 --> 01:24:34,320 Don't. 1187 01:24:34,320 --> 01:24:35,480 Just don't. 1188 01:24:35,480 --> 01:24:37,590 Save it for the next chump, all right? 1189 01:24:37,590 --> 01:24:38,765 ROXANNE: What are you doing? 1190 01:24:38,765 --> 01:24:40,760 Calling the police. 1191 01:24:40,760 --> 01:24:42,560 Time to turn you two lovebirds in. 1192 01:24:42,560 --> 01:24:43,490 What? 1193 01:24:43,490 --> 01:24:45,800 Jack, don't be stupid. 1194 01:24:45,800 --> 01:24:47,070 You can have it all now. 1195 01:24:47,070 --> 01:24:48,290 Don't you see? 1196 01:24:48,290 --> 01:24:52,050 $4 million, me, Tony's businesses. 1197 01:24:52,050 --> 01:24:55,030 Come on, don't tell me you haven't thought of that before. 1198 01:24:55,030 --> 01:24:57,480 Interesting. 1199 01:24:57,480 --> 01:24:59,310 But I don't think so. 1200 01:24:59,310 --> 01:25:01,300 I don't want to always be checking my back. 1201 01:25:01,300 --> 01:25:03,900 And I got this thing about staying alive. 1202 01:25:03,900 --> 01:25:05,120 Hello. 1203 01:25:05,120 --> 01:25:09,360 Yeah, there's been some shots up at Tony Falcone's house. 1204 01:25:09,360 --> 01:25:10,695 That's right, Tony Falcone. 1205 01:25:10,695 --> 01:25:13,320 ROXANNE: Look who's so fucking high and mighty. 1206 01:25:13,320 --> 01:25:14,770 You're turning us in? 1207 01:25:14,770 --> 01:25:16,106 That's right. 1208 01:25:16,106 --> 01:25:18,650 I didn't kill anybody. 1209 01:25:18,650 --> 01:25:19,770 You did. 1210 01:25:19,770 --> 01:25:23,160 That's what I saw. 1211 01:25:23,160 --> 01:25:26,280 Your prints are all over that gun. 1212 01:25:26,280 --> 01:25:27,990 And I was never here. 1213 01:25:27,990 --> 01:25:30,382 Tell that to the police. 1214 01:25:30,382 --> 01:25:32,220 JACK (VOICEOVER): Looking back on it now, 1215 01:25:32,220 --> 01:25:35,070 it's not hard to understand how everyone became obsessed 1216 01:25:35,070 --> 01:25:39,040 with Roxy, each in his own way. 1217 01:25:39,040 --> 01:25:43,010 Roxy provided everything a man fantasizes about in a woman-- 1218 01:25:43,010 --> 01:25:46,540 beauty, sex, danger. 1219 01:25:46,540 --> 01:25:50,340 A man is willing to risk a lot for a woman like her. 1220 01:25:50,340 --> 01:25:51,690 Me, I was greedy. 1221 01:25:51,690 --> 01:25:53,820 I saw a way to make an easy life for myself 1222 01:25:53,820 --> 01:25:56,170 and get the woman of my dreams. 1223 01:25:56,170 --> 01:26:00,710 So I went for it and got screwed. 1224 01:26:00,710 --> 01:26:06,510 The funny thing is I think I saw it coming all along. 1225 01:26:06,510 --> 01:26:09,540 The scary thing is I'd do it again. 1226 01:26:09,540 --> 01:26:12,890 [BLUES MUSIC]